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How is lacquer painting evolving in the 21st century?

  • cnualart
  • Apr 5, 2014
  • 1 min read

Updated: Apr 15, 2020


TuDo_Word_April14_cnualart

Word Vietnam magazine, April 2014, p.166.

“MEMORIES”, lacquer exhibition by 5 artists, Tu Do gallery, 53 Ho Tung Mau, D1, HCMC, Vietnam. Until 30 March 2014.

Imagine inspecting molten asphalt that has been poured like lava over Pompeii. Tu Do’s group exhibition of lacquer paintings should be looked at close up. Forget what the shapes may represent. Get close enough to smell the oily vapours of the medium.

One must put aside dismissive prejudices about subject matter to see how lacquer painting is evolving. Bear in mind that even the Le brothers, the Hue duo of rising art stars who recently participated in the Singapore Biennale, make brightly coloured lacquers that on first impressions look a lot like shop-ready commercial art, whilst simultaneously creating stunning video work and metaphorically rich performance art.


Whilst other lacquer artists elsewhere are creating new finishes by using spray paint and glass-like polyester resin, the art in this show is innovative within the limits of possibility of natural lacquer.

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